We are the digital agency
crafting brand experiences
for the modern audience.
We are Fame Foundry.

See our work. Read the Fame Foundry magazine.

We love our clients.

Fame Foundry seeks out bold brands that wish to engage their public in sincere, evocative ways.


WorkWeb DesignSportsEvents

Platforms for racing in the 21st century.

Fame Foundry puts the racing experience in front of millions of fans, steering motorsports to the modern age.

“Fame Foundry created something never seen before, allowing members to interact in new ways and providing them a central location to call their own. It also provides more value to our sponsors than we have ever had before.”

—Ryan Newman

Technology on the track.

Providing more than just web software, our management systems enhance and reinforce a variety of services by different racing organizations which work to evolve the speed, efficiency, and safety measures, aiding their process from lab to checkered flag.

WorkWeb DesignRetail

Setting the pace across 44 states.

With over 1100 locations, thousands of products, and millions of transactions, Shoe Show creates a substantial retail footprint in shoe sales.

The sole of superior choice.

With over 1100 locations, thousands of products, and millions of transactions, Shoe Show creates a substantial retail footprint in shoe sales.

WorkWeb DesignRetail

The contemporary online pharmacy.

Medichest sets a new standard, bringing the boutique experience to the drug store.

Integrated & Automated Marketing System

All the extensive opportunities for public engagement are made easily definable and effortlessly automated.

Scheduled promotions, sales, and campaigns, all precisely targeted for specific demographics within the whole of the Medichest audience.

WorkWeb DesignSocial

Home Design & Decor Magazine offers readers superior content on designer home trends on any device.


  • By selectively curating the very best from their individual markets, each localized catalog comes to exhibit the trending, pertinent visual flavors specific to each region.


  • Beside the swaths of inspirational home photography spreads, Home Design & Decor provides exhaustive articles and advice by proven professionals in home design.


  • The art of home ingenuity always dances between the timeless and the experimental. The very best in these intersecting principles offer consistent sources of modern innovation.

WorkWeb DesignSocial

  • Post a need on behalf of yourself, a family member or your community group, whether you need volunteers or funds to support your cause.


  • Search by location, expertise and date, and connect with people in your very own community who need your time and talents.


  • Start your own Neighborhood or Group Page and create a virtual hub where you can connect and converse about the things that matter most to you.

775 Boost email open rates by 152 percent

Use your customers’ behavior to your advantage.

074 - Tribes in today's marketing: Know thy customer, the tribe way

If there is one thing that tribe marketing affords today's business, it is the ability to identify, engage and lead the communi

June 2021
Noted By Joe Bauldoff

The Making and Maintenance of our Open Source Infrastructure

In this video, Nadia Eghbal, author of “Working in Public”, discusses the potential of open source developer communities, and looks for ways to reframe the significance of software stewardship in light of how the march of time constantly and inevitably works to pull these valuable resources back into entropy and obsolescence. Presented by the Long Now Foundation.
Watch on YouTube

March 2021
Noted By Joe Bauldoff

The Case for Object-Centered Sociality

In what might be the inceptive, albeit older article on the subject, Finnish entrepreneur and sociologist, Jyri Engeström, introduces the theory of object-centered sociality: how “objects of affinity” are what truly bring people to connect. What lies between the lines here, however, is a budding perspective regarding how organizations might better propagate their ideas by shaping them as or attaching them to attractive, memorable social objects.
Read the Article

August 2010
By The Architect

The Culture of the Web

Between every generation there exists a cultural gap. However, the rift that divides those ingrained in today’s digital lifestyle and those who remain disconnected is much greater. Therefore, successful marketing begins with being one with Web culture and having a fundamental understanding of the unique aspects that define the Information Generation.
Read the article

The Culture of the Web

web_culture_article Today there exists an enormous divide between those that understand and participate in the culture of the Web and those that do not. This chasm runs deeper than just a generation gap, and there’s more to conquering it than simply being born into the Digital Age. The Internet is a nation in and of itself, and its culture is as real and nuanced as that of any country under the sun. It’s driven by information traveling instantaneously through billions of connections that function organically as a single collective, creating, defining and shaping its own distinct code of conduct, conversation, humor, protocol and even etiquette.

Why is this important?

Nowhere is this rift of understanding more apparent or consequential than in marketing. For the casual user, it’s not as important to grasp every nuance. However, if you want to do business and make an impact in this self-made, self-ruled culture, you must learn what makes it tick. You must be a part of its collective and discern the unifying elements that drive what its people, its tribes and its ruling class do, think, accept, feel, follow and react to – and why. These governing principles aren’t published in any how-to pamphlet or printed on a membership card. There are no clear signs posted along the way. To know Web culture, you must simply be a part of its collective in every way.

Living in the Internet

True mastery of the Web and its culture comes from living and breathing it day in and day out. Reading what’s popular. Participating in discussion. Paying attention to reactions. Observing as the collective expands its knowledge, evolves its sense of humor, chooses what it hates and likes – all building upon a foundation of shared experience. These are the fundamental aspects that must be second nature to anyone charged with growing your business – whether that’s you or your marketing agency:
Ruled by tribes of trusted elite A collective sense of humor Celebrity
A language and customs of its own An economy of attention Gaming as a social connection
The need to belong The trust barrier Homebases
Addicted to sharing Anti-corporate by default Greater good
In the know Freedom above all Be one
Web time is real time Tech-centric
Failure to not only recognize and comprehend but also to be active in Web culture will greatly increase the risk that any marketing venture you undertake will be ineffectual and ultimately unsuccessful.

Ruled by tribes of trusted elite

Early on, the Internet began to cleverly devise ways to sift through millions of pieces of information to elevate popular stuff, bury hated stuff or otherwise separate from the unremarkable. In doing so, clearer vision began to take hold on what was worthy of attention and what wasn’t, based on the collective’s opinion. From this, very active users began to shape the very fabric of the Internet collective, and the organism evolved to trust those in its elite class. These collections of loud voices that think alike and swarm together can sway nearly anything. Old Spice, Barack Obama, Victoria Secret and Conan O’Brien all know the power of the Internet ruling class. They know who have the megaphones, passion and resources in their market and they had marketing people who were part of those tribes. Building upon the foundations of the Web’s culture, your marketing entity must know how the ruling classes are formed and how they move in every circumstance in order to execute with pinpoint precision and make waves of customers.

A language and customs of its own

internet_catThe language of the Web is probably one of the most easily understood and heavily evolved foundations of the collective. ‘LOL’s are somewhat ubiquitous, but if your marketing agency doesn’t know why a ROFLcopter is funny, the essence in the difference between FAIL and WIN or what it means to be ‘pwned’ then, believe it or not, you lack fundamental pieces of understanding needed to take hold of the Internet and communicate with its culture in every way. Beyond simple shorthand, there is the issue of etiquette and protocol. The Web collective has evolved its own rules for what’s acceptable and what is shunned. It may seem silly, but everything from understanding what it means to encapsulate a word with asterisks to shying away from the investment of personal communication, you or your marketing company must be one with its protocols, even if you aren’t marketing to people that adopt the understanding of. Like all cultures, knowing your boundaries and assimilating yourself into its protocol is essential to go beyond baby steps. You can get by, but you’ll never truly connect on a mass scale.

The need to belong

In our series on understanding and marketing to tribes, we covered the anatomy of a tribe—why people connect with each to form followings of an idea and how they collectively rule the marketplace. The foundation of tribes is passion around something—an idea, lifestyle or movement. The truth is, the Web collective is broken up into thousands of movements stemming from one root motivation: the need to be a part of something. This is why successful websites whose goals are centered on building a vast and passionate community around its brand or purpose institute point systems and accomplishment badges to reward participation. Understanding why people not only connect themselves to a group or community, but feel rewarded by recognition of contribution to the group is fundamental to connecting with the Web collective overall. Auxiliary to this is the “15-minutes-of-fame” motivation. Most people are motivated by the opportunity to be featured in higher esteem for outstanding contribution. Elements such as “the most popular photo of the day” or “most video views” reward the creator or contributor by putting him or her in the spotlight.

Addicted to sharing

sharingMembers of the collective like to broadcast what they like, what they find interesting, funny, etc. This explains how great ideas go viral. People inherently want to share things they find striking. When something great happens in the same way its users want to belong, they want to take ownership of it. That great thing becomes a part of them, because it’s a part of everybody. For example, a funny joke you get from Internet strikes you as hilarious, so you take that joke and you share it with your name on it. A piece of it is yours because you blessed it, posted it, passed it along. Your name becomes part of it. It’s expressing you. Because you found it and shared it, you have partial ownership of it.

In the know

News in the Information Age is available everywhere as it happens. No longer are a select few allowed to report and distribute news. Every member of the Web culture has a cell phone, camera and a way to distribute news at the fingertips. When events happen, information is moved through the collective, news is discussed, debated, evaluated and classified based on decisions made that organize and shape news within the Web. As a result, almost all people connected to the Web take very little at face value. Its people are very informed. The culture’s approach to news is one based on hard data and facts, wide-area access and sharing, and the inherent power to sift through the noise and elevate news of importance within its tribes of interest. Additionally, the Web is the permanent record. It is not a culture that forgets. History is made every day and the decisions of the Web collective serve to build a foundation of information, learning and growing as time marches on.

Web time is real time

web_timeLife on the Web moves every bit as fast as the lives of the individuals that comprise its vast collective. The lines between how people behave, relate and interact online and offline are constantly growing less distinct. The advent of social media has been a defining moment in the evolution of Web culture, as we’ve all become reporters in our own right. The immediacy of sharing has fed the human need for connection, fueling a never-ending stream of status updates, wall posts and tweets. If someone discovers a favorite new sushi place, their Facebook friends likely know about it before they even leave the restaurant. Likewise, if someone has a negative experience with a customer service rep for their cable company, chances are good they’ll vent about it on Twitter as soon as they hang up the phone. While this type of information exchange may seem mundane or even meaningless, if you’re the sushi place or the cable company, it won’t be long before you feel its effects. As news and information passes from one circle of friends to another, it adds to and reshapes the collective conscience. As a result, the time lapse between the occurrence of an event and its entry into the greater awareness is shrinking. You must be constantly plugged in to be able to trace trends and follow the ebb and flow of public sentiment. It’s not enough to be a passive observer on the sidelines; you have to jump in and be one with the community if you want to have a clear view.

A collective sense of humor

rickrollMore than 250,000 people listen to Jim Gaffigan’s thoughts on Twitter. When a hilarious observation hits, 50,000 people take it, re-tweet it, re-post it and share it with their hundreds of connections, sending it through the veins of Web culture and ultimately assimilating it into its foundation to reshape opinion and unify the collective’s unified sense of humor. The Internet is just like any small group of people and its various relationships. All of its collective experiences are one big every growing foundation of inside jokes, repeating history and new creations being build upon, carried on, evolved, passed around, remixed and collectively laughed over again and again. YouTube understood this in 2007, when for April Fools’ Day the video broadcaster made a move to solidify its membership with the Internet collective, hacking its own home page and forced every click to be redirected to the ubiquitous Rick Astley video tied to the mega-meme ‘Rick-rolling’. Again, knowing why Rick Rolling is funny does nothing for you directly. It’s knowing why it and other Internet memes and viral phenomena are funny to the collective that separates the successful Internet marketer from one just pretending to be one.

An economy of attention

The culture of the Web operates on an economy of attention that is based on self-fulfillment and instant gratification. In the days when traditional media like newspapers and TV were the primary arbiters of information gathering and sharing, choice was limited, so everything was structured around creating captive audiences and force-feeding them information. Members of the Internet collective are active seekers and searchers, not passive consumers. Knowing that they have an infinite array of options at their disposal, they pursue only what interests them most, and they quickly dismiss anything that doesn’t immediately grab them as being relevant, meaningful or enjoyable. How quickly? Research has shown that it takes as little as 50 milliseconds for visitors to formulate an impression and determine their opinion of a website. As a result, your greatest competitor in the culture of the Web is time. The challenge that you must meet is not only to capture attention but to provide direct meaning and value upfront in order to prove why you’re a place to come back to.

The trust barrier

The Web collective is inherently untrusting. The Internet itself is a nation without laws, and there is always some degree of transparency lacking that cannot be entirely satisfied. Therefore, it is incumbent upon the collective to sift through its own content and distill the legitimate from the illegitimate. Its members approach this task with a wary eye, looking for reasons not to trust. Anywhere they land, they are on alert for red flags – anything from bad design and fake photos to incorrect information and over-the-top testimonials – that indicate a site unworthy of further time and attention. trust_barrierAuthority is issued from within the collective by way of opinion. Comments, reviews and popularity form the basis for trust, and its people feed off the assessments of other like-minded individuals. Peer validation is the hallmark of Web culture. No matter what you do or what you sell, if enough people love it and vouch for you within their own circles of influence, you’ll be successful. Without this, you face a significant burden of proof to overcome the natural skepticism of the collective.

Anti-corporate by default

While Web culture is instinctively mistrustful, it reserves a special degree of cynicism for all things corporate. The reasons why abound, but they are in no small part the product of decades of traditional, carpet-bombing marketing and its battery of empty promises, hollow gimmicks and self-serving promotion. The fabric of the Web collective is comprised of personal connections. Corporate entities are regarded as intrinsically impersonal and therefore existing outside of this culture. In fact, this anti-corporate stance is a point of pride and a rallying cry, creating an environment that is quick to identify and ridicule those companies that don’t understand the culture and its mores. The only ones allowed in are those that earn their way legitimately by building trust through the demonstration of listening and responding to the needs of the collective. In short, all things being equal, as a corporate entity, you start below zero. Attempting to market to the collective as an outsider that is disengaged from its culture is downright offensive and will result in your brand being at best ignored and at worse severely penalized. This is why trustcasting is essential. The only successful approach to getting and keeping customers in Web culture is through an ongoing commitment to building and maintaining trust – a highly personal approach to business growth that requires developing authentic, two-way relationships within the collective and engaging them with honesty and respect. (Read more about Trustcasting in the Web Marketing Universe.)

Freedom above all

The spirit of the Web is freedom: freedom of access, freedom of choice and freedom of distribution. The openness of the Web is the very reason for its existence. As such, the flag flown by the Internet nation is one of self-protection from that which poses a threat to the unrestricted flow of information upon which the Web was founded. Its people promote elements that provide more access and suppress those that oppose it. anti_powerThe stark contrast in the performance of the business models behind the New York Times and Facebook is one of the best examples of this. The New York Times, a longstanding bastion of news once regarded within the industry as the nation’s “newspaper of record,” has waffled on its choice of how to deliver information while keeping its traditional revenue model intact, leaning towards a subscriber-based system that restricts access without purchase. While this protects the profitability of the New York Times to some degree, it limits its distribution versus other news sources. Whether this works for the publication or not is really beside the point. The culture of the Web outright shuns the paper’s outmoded approach, openly criticizing it and its decision-makers’ policies. Facebook hit on success quickly, growing into a billion-dollar company practically overnight. Its model was non-restrictive, allowing unintrusive ads to be run alongside the application rather than garnering revenue through paid access. It is easily embraced by the culture because it is open, provides incredible utility that betters the life of its users and listens and responds to the demands of the collective.

Tech-centric

As the Web itself represents the broadest and most powerful form of technology itself, its people and culture are inherently centered around technology. Its collective is not only tech-aware, but tech savvy. They want to improve their lives with technology. They want to do more with less. In their quest to find better information faster and from everywhere, the people that make up the culture of the Web are built on a high-level of understanding for software, hardware and data. The culture is constantly looking for new ideas, concepts and technology that allows the Web to be used in a more useful and efficient manner. As a result, the Web propagates technology through itself. Its members and ruling class have new technology on high receive and are connoisseurs for new ideas, passing them through the conversation, adapting them to their lives and spreading the word on how it affects their lives.

Celebrity

In the same way the cult of personality has shaped our culture since the advent of television, the Internet collective and its ruling classes proudly evolve its own methods of reaction and shaping celebrity influence. No one person created the book on Chuck Norris jokes, each an ongoing, comical demonstration of how Mr. Norris’ super-human presence is supreme in every facet. The Internet collective invented, cultivated and spread this ongoing joke with his celebrity. Google itself even jumps on the bandwagon: chuck_norris_google Is this knowledge, by itself, helpful in marketing? No. However, understanding how the Web culture shapes and is shaped by celebrity is the mark of a great Internet marketer. Knowing what is played out and what will ring with millions is the mark of one that is in touch with Web culture. The Old Spice shower spokesman’s demeanor, speech and jokes are not, in and of themselves, remarkable. It’s knowing the complete package and why it will connect and spread in a way no traditional advertising on any medium could have ever done.

Gaming as a social connection

The Web is one-half work and one-half pleasure. In fact, it could be argued that electronic gaming served as the genesis of the Web collective as we know it today. Electronic gaming is a core part of Web culture, and the industry commands far more influence than Hollywood. With the evolution of social gaming such as Zynga’s FarmVille and Mafia Wars, every new game published forms its own groups and followings, bringing people together and allowing them opportunities to share their experiences. Within the collective, language, protocol and humor are just a few of the many facets that continue to be shaped by the massive online gaming community. In the same way celebrities, movies and TV shows have shaped our culture for decades, gaming is not only a fundamental piece of the Internet but a defining touchstone of Web culture.

Homebases

In the Internet universe, people proudly set up shop in various places. Knowing why certain subsets of the collective bind themselves to certain homebases is yet another key to understanding Web culture. Facebook is ubiquitous. There is hardly a soul that’s not connected to it. However, if Facebook fulfilled everything, Flickr, Tumblr, Twitter, forums and hundreds of thousands of other sites wouldn’t exist. As an example, photos posted on Facebook are usually for the personal enjoyment of family and friends. Photos posted on Flickr are more prone to be critiqued and elevated based on the critical eye of other photographers. What you think is a good photo in your album on Facebook may not stand out on Flickr or anywhere else. Knowing the difference between these homebases, the nuances that distinguish one community from another and why people plant their flag in one place and not others is critical when reaching out and building a community of your own.

Greater good

greater_goodThe Web is like any other nation. It is crafted by people for people. It not only represents a collective consciousness but a collective with a conscience. Its members recognize problems and flock to help those in need. Like any other good democracy, its people not only look to better their own lives but also the lives of others. The power of the Web to shine a spotlight on the ills of society and instantly raise awareness among millions of the problems in the world is a phenomenon never before seen in human history. Because knowledge and freedom reign supreme on the Web, the pen continues to be the mightier than the sword, as access to and distribution of information on a mass scale lead to action that moves mountains. Inherent in every member of the Web’s culture is an activist – someone ready and willing to take up a flag for a cause they believe in. Armed with the understanding of the power of one person and one idea to change the world, members of Web culture hunger for the opportunity to rally others and attack problems head-on.

Be one

The Web collective represents the most vast and most complex social system on the planet. Its parts are many, diverse and constantly in motion. It is ever-growing and ever-evolving. Everyone is a part of it, and it touches every facet of their lives – they play in it, work in it, do business in it and are entertained by it. The points we’ve covered do not map an instructive path nor provide magic beans of knowledge that unlock the secret to winning customers on the Web. While each might seem unimportant or even trivial in and of itself, you can’t begin to comprehend the collective and what makes it tick without this greater perspective. If you are looking to grow your business or set your next idea on fire, you or your marketing firm must be one with this culture and all of its defining characteristics. You must speak its language, appreciate its sense of humor and know why certain things spread virally while others get buried immediately. In today's marketplace, it is this fundamental understanding that sets the successful Internet marketer apart from one that merely takes a shot in the dark and hopes for the best.
August 2009
By The Architect

DeadSpace: 7 Reasons Why MySpace is as Good as Dead

The first behemoth of social network is on its way to the grave, with no one to blame but itself.
Read the article

DeadSpace: 7 Reasons Why MySpace is as Good as Dead

The first behemoth of social networking, MySpace—now owned by Fox Interactive Media—is on its way to its grave, with no one to blame but itself. MySpace’s popularity hit its apex in March 2008. In the following month, it was overtaken by its first real competitor, Facebook. But the writing was on the wall long before that. Web developers and architects all over knew that MySpace was doing it wrong. Surely at least a few of its own developers knew this and pushed for change. Still, MySpace was the slowest to adapt. For a site of that magnitude—including all of its systems, engineering and hacks to make it function—change does not come easy or cheap. The site was not built to do or handle what it attempts to do today, and its poor framework and conventions of interaction are a reflection of that. This is where the ever-important step of planning and laying a site’s foundation is so important. MySpace architects did not effectively build the system to be much more than a novelty. And while MySpace is not your average website, it serves as a lesson in utility for anyone charged with planning, building and running a website on any scale. If a better alternative in Facebook had never come along, MySpace would not be in this position nor would it have pushed to try to make any changes, even in the eleventh hour. People still want to connect to other people, share things they care about and display certain aspects of their life. Whether you agree with those aspects of our culture or not, they do exist, and MySpace fulfilled those motivations for a time. All you need is one competitor, however, one other option entering the marketplace, and the incumbent developers will be challenged to fight to the death. MySpace’s architects and developers simply could not live up to that challenge. In 2008, MySpace did begin to introduce features, tweak aspects of its foundation and attempt to crack down on the juggernauts of spam bots plaguing the site—but by then people didn’t care. Facebook came along, presented a better option, and people moved with little doubt that they would ever return to MySpace. Thus, in the same way it virally grew, MySpace will die by the same domino effect that catapulted its popularity. Let’s examine seven key elements of MySpace that rushed MySpace to its grave. (It should be noted that the following screenshots were purely at random and were very, very easy to find.)

1: Out-of-control design framework

Of the people you know, how many could lay plans for their own house, paint a beautiful portrait worthy of hanging in your living room or perform cosmetic surgery? Chances are, few. There are just certain things that some people have no business doing, either lawfully or for the sake of the rest of us. Designing websites is one of those things. Designers are in a unique class of professionals, and good web design is an exact art and science. MySpace disagrees, however, and allows their users to hack everything in the page until nothing is usable, legible or tolerable. Bad-MySpace-Design-620 Pages are riddled with high-res backgrounds, text isn’t protected, and colors, styles and sizes are fully unlocked—just to name a few. All of this creates a design playground which breeds annoying layouts that distract from the page's content. In contrast, Facebook has chosen to restrict at least the foundational framework of the site. Facebook-Design-Restriction-620 While customization is an important aspect, it shouldn’t be allowed at the risk of the functional system—the very heart of a social networking site’s brand and reputation.

2: Auto-play music

People love music. It’s one of the few ubiquitous facets of life. In fact, Apple’s famed comeback as a technological and cultural superpower was all a carefully conceived plan to tap into our common love for music—and they rode that all the way to billion-dollar profits. In contrast, MySpace taps into music to annoy the living hell out of most of us. In fact, it should be noted that all non-prompted audio anywhere, on any page, is a widely unacceptable and an unwanted "feature."” This goes for ads, auto-play videos, and most important, unexpected, blaring music overlaid on what you might be listening to already.

3: Identities

The days of Internet handles are coming to a close. Yes, there was a time when one would be known as “Biker5445,” as systems continued to use usernames as main identifiers. Of course, Internet e-mail systems will still use some form of handles for some time. Most of today’s websites, however, no longer need to do this—particularly social networking sites. This is even more important due to recent news and events concerning privacy and security. The use of a handle is only good for concealing identity, and that doesn’t mix well in a site intended to connect people. What good can come from that policy in a social networking site? Bad-MySpace-Handles-620 MySpace did eventually get clued into this basic, fundamental issue and started asking its users for their real name as an option: Bad-MySpace-Finally-Asks-For-Real-Names-620 Again, too little too late.

4: Little focus on content with a horrible user interface

There’s actually too much of this subject matter to fit within this article’s short space. One could write volumes about the sheer usability and UI issues that plague MySpace. One thing is for sure, this aspect is a website killer, no matter if you are local deli or a major social networking site. In the case of MySpace, most interactions and conversations occur within a never-ending, scrolling guestbook. These “comments” also have very little restrictions and are filled with a cacophony of text, pictures, videos and animated gifs—all without any context in the conversation. Ultimately, the interface leaves everyone reading essentially one-half of an e-mail conversation between two people and no one else. Bad-MySpace-Horrible-Interface-2-640 That’s just the beginning. Features that are, at best, a one-time read about a person’s interests, life story, and favorite music, movies, books, television shows, heroes and foods are typically placed near the top of the page in one long column. Whether you have an interest in any of this stuff or not, you’re treated to it every time. Bad-MySpace-Horrible-Interface-3-640 The list goes on, but we just can’t stomach any more.

5: MySpace has cultivated a raunchy, immature base

MySpace’s culture—formed by the foundation created by its architects—has without a doubt developed an immaturity and a raunchiness that is unique to MySpace. It’s widely known that MySpace has sold-out to become a platform built around dating, which doesn’t help its state in terms of the quality of content. You can easily find all the "vital" statistics that you want from a date on most pages—everything from sexual orientation, build types, even income takes headline status. The archetypical “MySpace photo” is often mocked and mimicked today by a photo with the person in a sexually suggestive pose, with bright light and the camera aiming down from above. Bad-MySpace-Immature-Framework-620 It’s not just about sexually suggestive material, but about the framework of how MySpace works. The site can’t be responsible for user’s content, or perhaps lack of content, but what MySpace’s architects have built promotes an underlying immaturity that is not present in Facebook—at least not yet. Coupled with all the other out-of-control elements, a light click-through of MySpace easily resembles a walk down a tattered, defaced red light district. And why is Facebook not facing this degree of the problem? Its architects have planned better. Perhaps it’s embracing the common sense of restricting anonymity. Perhaps it’s because Facebook doesn’t allow layouts and its interface to go nuts. Either way, it’s well-known that Facebook has attracted a more mature presence and left MySpace with the rest. If you have never experienced this cultural difference, click around random pages in MySpace—if you dare. Chances are, you don't need to and you're just nodding along with the rest of us.

6: Inordinate number of ads

News Corp is definitely profit-centric. Whatever soul MySpace ever had, it was sold to the highest bidder ages ago. The number of large, animated, irritating, irrelevant and sometimes offensive ads compared to what matters—content and utility—is terribly imbalanced. Bad-MySpace-Ads-640 While Facebook has yet to turn a profit at the date of this article, it will eventually need to solve this problem and will most certainly shift its balance as well. Until the day comes when Facebook burns through its cash faster than investors can pour it in, this difference makes it an easy switch from MySpace to Facebook.

7: Spam

If there’s one thing that’s notorious on MySpace, it’s spam. The site’s spam comes in many forms, but the most prevalent are the spam bots for sex and dating sites. They pose as skanky figures, companies, scam artists, music groups and interest groups, which scour friend lists in public profiles and send out friend requests to drive traffic to their MySpace page or other shady website. Bad-MySpace-Spam-620 MySpace came to its senses in recent times, figuring that this was annoying people beyond limits and started to ruthlessly crackdown. Again, too late. The brand of MySpace, “A Place for Friends,” became “MySpace—A Place For Sleazy Marketers.”

The Future

While MySpace's reputation is dead, Facebook isn’t perfect either. In fact, more and more people are becoming annoyed with its limitations and methods as well. It is still plagued with its own problems, some of them similar to MySpace in terms of its core usage. Simply put, there are things that “social networking” sites should be doing and they are not, along with things that they are doing and shouldn’t be. Facebook is—for the moment—simply a better option. But it’s got a thin line to walk as well, not the least of which is to actually turn a profit. With MySpace as good as buried, look to Facebook to begin making changes to address the pressures of creating more revenue. The balance between utility and profits will be tilted. The question is how much will it tilt and how much will be sacrificed when the next social networking site comes along and ups the ante?

More...

MySpace Helps News Corp Lose $363 Million [Mashable]